Representations of Slavery Essay Sample Ireland
In the following essay sample, we shall discuss the concept of slavery and its representation in the different forms of visual and arts like television, films, paintings etc.
Since the mid-1990s the slavery trend issues and their abolition has been represented in many museums and monuments and has also been represented on various websites, films, television and radio. There has been sudden drastic development in human rights since the 1990s which has given birth to the truth, restorative justice, reparative debates, justice against inequality and the concept of reconciliation.
“Breaking the silence” came up as the global phenomenon displaying the memorials in western and southern Africa, Europe, Brazil and North America.
The representations of slavery have been motivated across all the groups globally with the different intention for not just representing abolition of slavery in the society but also about the importance of slavery in general. The intention is to represent the brutal treatment, injustice done and attempts to eradicate the practice of slavery.
Meaning of the Slavery
Slavery has existed in Ireland for the last few centuries when the Vikings began to establish their coastal settlements and this slave practice reached its peak in the 11th century.
Slavery is a condition where the person or the human being was owned by another individual and was considered as property according to the law. Such a person who was enslaved was deprived of all his rights and was considered as either movable or immovable property.
Most of the slaves were captured in the war as war prisoners and were given in form of incentives to the warriors and were sometimes enslaved for the crime or debt or punishment. These slaves were sold by their parents, relatives and spouse to satisfy their debts.
Representations of the Slavery: Race and Ideology in the Southern Plantation Museums
The representations of slavery is a comprehensive assessment of the plantation museums in the Southern United States. The students and the authors of the book visited around 122 plantation museums in Virginia, Georgia and Louisiana.
A research was conducted at the five important and different sites of Alabama, Mississippi, Florida South Carolina and Tennessee. All these museums were established to study the plantation during the period of slavery.
The study conducted suggested that 83 per cent of plantation museums are historic sites that avoid the issues of oppression, racism and slavery. Authors stated in their book that most of the site explored talks about the American history that revolves only the whites and high-class elites and erases the history of the bonded labour, slavery or enslaved Africans and enslaved Americans Africans.
The museums studied the system of slavery and the presence of those who are enslaved. A racialization process that works in different locations overlaps the ideologies and representations to produce and further reproduce race-based discrimination and oppression.
According to the authors, the slave masters are the master enslavers and slaves are the enslaved native Africans. The museums support the glory of the United States that signifies the very importance of democracy, civility, gentility and hospitality.
Representations of the Slavery in the European Art
The representations of slavery in European Art dates back to the ancient time period. It showed or represented the slaves to be both black and white belonging to the varied ethnicity but from the 17th century onwards blacks were represented to be slaves and before this century whites were the ones predominantly as slaves.
These slaves were represented in European Art as figures who are often naked and crouching as enslavement. The galley slaves were used by the artists for the muscular nude bodies. Frans Post (1612-1680) and Albert Eckhous (1610-1665) were. Known as the early Dutch painters who depicted the harsh reality of the lives of the slaves.
Another artist called Alexandre Dumas was the son of the slave who portraits his early life as a slave and wrote his famous work of “The Three Musketeers.” An artist called Juan Pareja was also a painter who got liberated and freedom from enslavement and with the help of the proper training from his master he became a successful artist.
The high-class Europeans portrait the black figures most often the children wearing a slave collar and such slave collar was made up of silver to show off their wealth and even expensive embroidered clothes were also portrayed. Such silver collars were worn by the slaves of the 17th and 18th century which was a portrait in contemporary paintings.
Chains, manacles, collars were all used for marking the slaves along with the names of their owners and sometimes even ponytails or top knots were done to mark the Turk slaves.
A broken chain was also portrayed in the paintings as a sign of the de slavement. The slave trade and its abolition has been portrayed in the visual representation in painting, print culture, photography and sculpture.
The abolition of slave trade was depicted in “Description of Slave Ship” (1789) and the medical photograph of ex-slave Gordon’s, “Scarred Back’ in (1863). A wide range of African people have been represented in the art of the ancient Egypt, Greece and Rome.
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